This article examines cymdeithasiaeth, a set of political ideas developed by Cymdeithas yr Iaith Gymraeg (the Welsh Language Society) arising from the Society’s campaigning experience. The article’s main aim is to evaluate ‘cymdeithasiaeth’, and to consider the ideation and the relationship between the theory and political practice. Community is an integral part of the philosophy of ‘cymdeithasiaeth’, and the article attempts to answer the question; ‘what is the role of community and the political relevance of ‘cymdeithasiaeth’ today?’ The discussion begins by examining the ideation of ‘cymdeithasiaeth’ as it developed alongside Cymdeithas yr Iaith Gymraeg’s experience of direct action. The role of community in the political tradition of Wales in the modern period is discussed, and a critical look is taken at the role of community and community development in today’s politics. Finally, a discussion on the evaluation of ‘cymdeithasiaeth’ takes place.
Evaluating 'Cymdeithasiaeth': the political ideas of Cymdeithas yr Iaith Gymraeg
Searching for subjectivity in Tahar Ben Jelloun's L'Homme rompu
After a brief summary of the recent theoretical context of masculinity studies and the notion of identity, this article will analyze the construction of masculinity in a novel by one of Morocco’s most notable authors, Tahar Ben Jelloun’s L'Homme rompu. It will refer to this theoretical context in order to highlight the full weight of discursive pressures that are exerted on the individual. It will offer an in-depth analysis of masculinity and identity in the novel and, with reference to its unofficial sister-novel, Simone de Beauvoir’s La Femme rompue, will question to what extent the existentialist concepts of individual choice and subjectivity are still valid in the current theoretical climate.
Alan Llwyd discusses the film 'Hedd Wyn'
Interview with Alan Llwyd about the film ‘Hedd Wyn’ and the art of scripting for the screen. There is a Question and Answer section at the end. The session was recorded in the School of Creative Arts and Media in Bangor University, in March 2012.