Mae’r llawlyfr hwn yn esbonio beth yw technolegau iaith ac yn ddisgrifio rhai o’r cydrannau mwyaf sylweddol yn ogystal â cheisio egluro’r dulliau a ddefnyddir i'w gwireddu. Mae wedi’i fwriadu ar gyfer myfyrwyr, datblygwyr, academyddion, swyddogion polisi, ac eraill sydd heb gefndir yn y maes ond sydd eisiau deall mwy am feysydd pwysig prosesu iaith naturiol, deallusrwydd artiffisial, technoleg cyfieithu a thechnoleg lleferydd. Mae'r llawlyfr hefyd ar gael ar wefan Porth Technolegau Iaith Cenedlaethol Cymru. Ysgrifennwyd gan swyddogion o Uned Technolegau Iaith, Prifysgol Bangor, a Cymen Cyf gyda chymorth grant bach gan y Coleg Cymraeg Cenedlaethol.

The core argument of the essay is that it would be worth setting Saunders Lewis’ important early play, Gwaed yr Uchelwyr, in the context of several anglophone Welsh novels published at the turn of the nineteenth century that sought to assess the relevance of the culture of the indigenous gentry of Wales to the new nation celebrated by the Cymru Fydd movement. It is argued that familiarity with these texts could assist us to grasp the subtlety and rich ambivalence of the play’s ideological stance.

This article compares the renowned letters of Kate Roberts and Saunders Lewis with the correspondence of two leading nineteenth-century French authors, Gustave Flaubert and George Sand, considering the value and purpose of letters between authors. In addition to widening our understanding of Roberts and Lewis’s works, the article also places the Sand-Flaubert correspondence in a new context, and considers the development of authorial correspondence over the decades. It draws original conclusions by revealing that literary letters continue to play a key role for writers in the twentieth century: offering encouragement and advice, a means of escape from current circumstances, and an important tool in the struggle against the emptiness of modern society.

‘D.J. a fi’ draws on aspects of the work of Welsh author D.J. Williams and examines their potential to inspire the creation and inform the analysis of contemporary site-specific performance. Williams’s memoir, The Old Farmhouse, provides unique insights into the landscape of childhood, the located nature of memory, the dramaturgy of storytelling and the role of the teller. The author employs these insights to develop and suggest a number of practical and theoretical approaches to the use of biography, family history, domestic architecture and local knowledge in devised performance. Referring extensively to his own work, ‘Bubbling Tom’ (2000), a peripatetic solo performance staged in the village of his own upbringing in rural Lincolnshire: a guided tour of the places he knew at the age of seven – he discusses the importance of Williams’s work in inspiring dramatic forms that seek to reveal the grain of experience by addressing the intimate and familiar, the details of everyday life and its fabric.

The Foundation Phase (FP) is a statutory curriculum in each state school in Wales since 2008. The curriculum follows a developmentally appropriate pedagogy, and encourages children to engage by learning through experiences. The paper that follows is taken from a wider evaluation of the FP, commissioned by Welsh Government in 2012 and considers one of the seven areas of learning; Welsh language development. Results indicated no significant difference between how the Foundation Phase was implemented in Welsh and English medium schools. But, Welsh language development usually took place in whole-class morning activities (e.g. circle time) which doesn’t pair with the Welsh Government’s vision of intertwining the language in every aspect of the FP. The paper considers how schools and settings go about developing bilingual individuals, according to Welsh Government policy aspirations.

Sgwrs ag Elias Garmon Owen a dreuliodd dri chwarter canfrif ym Mhatagonia, a chyfle i rannu rhai o'i brofiadau yno ac yn Nyffryn Conwy ei ieuenctid. ITV Cymru, 1985. Oherwydd rhesymau hawlfraint bydd angen cyfrif Coleg Cymraeg i wylio rhaglenni Archif S4C. Mae modd ymaelodi ar wefan y Coleg Cymraeg Cenedlaethol i gael cyfrif.

The use of verbs of motion to express futurity is recognized cross-linguistically as an example of grammaticalization, whereby a construction changes over time to be less concrete and more grammatical. A number of historical and contemporary Welsh corpora are qualitatively analysed in order to identify the diachronic development of ‘mynd i’ (going to) to express the future in Welsh. Some examples of the grammaticalized form of ‘mynd i’ are found in texts from the sixteenth and seventeenth century, indicating that the grammaticalization process started at least 500 years ago, but the construction does not become prominent until the twentieth century. It is argued that this is an example of the influence of English grammar, where ‘BE + going to’ has also historically gone through a process of grammaticalization, and that an increase in bilingualism in Wales in the twentieth century has been a factor in normalising the grammaticalized form. A discussion is provided of how the situation of this Welsh construction informs our knowledge of the effect of language contact on grammaticalization.

This paper is based on a pilot study aimed at defining and identifying the most common speech errors made by candidates for the WJEC’s Use of Welsh examinations at Intermediate and Advanced Levels in the CQFW, during the oral tests associated with these examinations. The paper explores how the speech errors observed can be classified, and if it is possible to use the resulting data to discover whether they can be regarded as linguistic variables in their own right and used to explore their relationship with non-linguistic factors such as context, age, upbringing and social background as part of a comprehensive study based on a much larger sample of informants.

This article aims to draw critical attention to interesting features in the work of the Sardinian author, Grazia Deledda (1871-1936), an author who has not received sufficient critical attention. The article examines the relationship between identity, language and narrative in two of Deledda’s key novels, namely La madre (The Woman and the Priest / The Mother) and Il segreto dell'uomo solitario (The Secret of the Solitary Man). It analyses the way in which the two protagonists undergo a journey of self-understanding by facing their hopes and troubles in life. We see that while linguistic interaction is necessary for some, language itself serves as a weapon for others to control their own identity and even the identity of others.

Mae'r prosiect yma yn anelu at edrych ar sut mae pobl ddwyieithog (sy'n rhugl neu yn datblygu eu Cymraeg) yn cael gafael ar ac yn defnyddio pob un o'u hieithoedd. Ar ben hynny, bydd yn edrych ar y rhyngweithio rhwng y ddwy iaith ac, yn benodol, sut mae cael ail iaith (Cymraeg) yn dylanwadu ar berfformiad yn eu hiaith gyntaf (Saesneg). Mae hyn yn bwysig nid yn unig achos bydd yn rhoi mewnwelediad i rôl ataliad mewn prosesu iaith ddwyieithog, ond bydd hefyd yn taflu golau ar sut mae siaradwyr Cymraeg yn dysgu'r iaith ac integreiddio i mewn i'r geiriadur meddwl mewnol, a allai, yn ei dro, yn arwain at strategaethau addysgol a all gynyddu effeithlonrwydd dysgu Cymraeg fel ail iaith. Yr astudiaeth hon yw'r cyntaf i archwilio rôl ataliad mewn pobl ddwyieithog Cymraeg/Saesneg a'r rhai sy'n dysgu Cymraeg fel ail iaith a disgwylir iddo fod yr astudiaeth gyntaf mewn rhaglen ymchwil barhaus. Ariannwyd y gwaith gyda chymorth grant bach gan y Coleg Cymraeg

This article examines the influence of digital media on the contemporary Welsh literary field by describing and comparing two literary magazines that combine printed and digital elements. O’r Pedwar Gwynt and Y Stamp were launched during 2016 and they are the only two literary publications in Welsh with regular presence both on paper and online. By analysing them, traditional ideas about the literary production process are challenged, particularly those relating to the nature of the literary object and the role of producers (editors and authors) and consumers (readers). Based on concepts rooted in media studies (Marshall McLuhan) and the theory of social fields (Pierre Bourdieu) the emphasis will be on the possibilities of projects that combine features of both media and literary productions.

This article examines the way Michael Roes redefines friendship in his novel Geschichte der Freundschaft (The History of Friendship) by usig texts by other writers and philosophers. After placing Roes’ novel in its historical and cultural context, the article compares Geschichte der Freundschaft with Tahar Ben Jelloun's novel Partir / Leaving Tangier (2006). The final section of the article then interprets Roes’ use of intertexts on the subject of male-male friendships. The focus is on Roes’ appropriation of texts by Friedrich Nietzsche and Michel Foucault, which throws light on his treatment of the novel’s central theme, friendships between men, and homosexual relationships.