The effects of language frequency on adults knowledge of the Welsh plural system

The high central vowel, or the ‘northern u’ as it is informally called, is well known to be a characteristic feature of northern Welsh. Generally in north Wales, a clear contrast is heard between pairs such as ‘tŷ’ / ‘ti’ and ‘sur’ / ‘sir’. Conversely, since this contrast is neutralised in the south, these words are homophones, and are always pronounced with the high front vowel ‘i’. The main aim of this study therefore is to analyse quantitatively the way in which this contrast between ‘northern u’ and ‘southern i’ is lost in parts of mid-Wales. Consequently, the results will show the complex patterns of variation that arise in one particular ‘transition zone’, namely the Tywyn district, and demonstrate how speakers’ use of the high central vowel in this area is conditioned to a considerable extent by specific linguistic factors. Finally, this article will postulate that the interchange between the high front and the high central vowels is also related to variation in the length of diphthongs, and the implications of this theory will be probed.

This article is based upon the idea of designing a laser that can emit light at two different wavelengths, at the same time. This kind of laser has already been produced in the past; however, the difference between the two wavelengths was much larger. We intend to reduce this difference, while still being able to emit at two different wavelengths. This article will also address the effects of linewidth broadening where it is important to know how close the two wavelengths can be before we only see one broad peak in the spectrum, rather than two individual narrow peaks. Doing this will allow us to generate terahertz radiation from just one laser source.

Since the advent of the papurau bro (community newspaper) movement in Wales in the 1970s, hundreds of articles on rock music have appeared in their pages, giving publicity to local rock bands, gigs, new releases, and so forth. However, these have received no scholarly attention. The present article explores the nature and influence of this little-known collection of sources, positing that this material throws light on the workings of the music scene at a regional and local level, and also that the register of these writings reveals something of the agenda of the contributors: an emphasis on justifying not the existence but the cultural worth of Welsh-language rock music to the older generation influenced young writers and champions of the pop world.