Between 1945 and 1948, up to twelve million Germans who lived in Eastern Europe were expelled following changes to the country’s borders. Many of these Germans resettled in the Federal Republic of Germany, where they came to be known as ‘expellees’. To commemorate their lost homeland, the expellees opened small museums dedicated to the areas of expulsion. This article explores the ways in which history and memory are portrayed in the museum representing the former East Prussian town of Wehlau. By investigating themes such as the representation of the homeland, the Second World War and the integration of the expellees into West Germany, this article will highlight the similarities, differences and tensions in the expellee and wider German memory culture.

The concept of glaciers as active ecosystems is strongly supported by evidence of significant contributions to global carbon and macronutrient cycles by extant glaciers. Regrettably, the roles of glacial ecosystems in past glaciations are generally overlooked.  Therefore we reconstructed glacial habitats and carbon fluxes on the last glaciers of north Wales at their maximum extent during the Younger Dryas chronozone glaciation. Net uptake of 30-180 kg C of CO₂ and emissions of 265-1591 g C CH₄ per annum are estimated for the palaeoglaciers. This emphasises the hitherto unexplored potential for the last Welsh glaciers as actors in biogeochemical cycles; however our understanding could be extended by linking our knowledge of contemporary glacial ecosystems with analyses of sedimentary biomarkers and thermomechanical models of Devensian ice mass dynamics.

The core argument of the essay is that it would be worth setting Saunders Lewis’ important early play, Gwaed yr Uchelwyr, in the context of several anglophone Welsh novels published at the turn of the nineteenth century that sought to assess the relevance of the culture of the indigenous gentry of Wales to the new nation celebrated by the Cymru Fydd movement. It is argued that familiarity with these texts could assist us to grasp the subtlety and rich ambivalence of the play’s ideological stance.

The purpose of this article is to determine the benefits of singing in a group on people who have dementia, specifically through the ‘Singing for the Brain’ sessions held in North Wales during 2012–13 by the Alzheimer’s Association. Previous research of group singing in the field of music and dementia will be discussed as well as looking at how ‘Singing for the Brain’ first started in Britain. The article will then focus on the fieldwork that was undertaken, presenting conclusions, and finally dealing with and evaluating these conclusions.

This article focuses on the effects of music on sufferers of dementia as a means of communicating through familiar songs within a Welsh context. The fieldwork is based on the author’s experience singing to the accompaniment of the Celtic harp at an assessment unit for dementia and at resident homes for the elderly on the Llŷn Peninsula during the Summer of 2010 and presents insights gained from observing patients recalling familiar songs when conversation was difficult. On this basis, the article examines the way in which music can assist patients who suffer from this condition, describing and analysing the results.