Dyma archif o rai o'r prif sioeau cerdd Cymraeg sydd wedi eu cyfansoddi yn ystod yr hanner canrif ddiwethaf. Mae'r archif hon ar gael i ddefnyddwyr cofrestredig, sef staff academaidd a myfyrwyr prifysgol/colegau sy'n aelodau o'r Coleg Cymraeg Cenedlaethol, yn unig. I weld yr archif, mewngofnodwch i'r Llyfrgell gan ddefnyddio'ch manylion aelodaeth Coleg Cymraeg Cenedlaethol. Os ydych yn cael trafferth mewngofnodi, cliciwch yma. Cyn defnyddio'r Archif, dylid darllen a derbyn yr Amodau Defnydd.  

Mae'r ddogfen hon gan Sara Elin Roberts a Christine James yn cynnig cyflwyniad cyffredinol i Gyfreithiau Hywel Dda, sef cyfreithiau brodorol Cymru yn yr Oesoedd Canol, trwy roi 'blas' i'r darllenydd ar yr amrywiaeth eang o feysydd gwahanol sy'n cael eu trafod yn y llawysgrifau gwreiddiol - meysydd mor amrywiol â chyfraith Gwragedd a Gwerth Offer, Coed a Chathod, rheolau ynghylch Tir, a Thrais, a Theulu'r Brenin... I gynorthwyo'r darllenydd amhrofiadol, ac er mwyn annog astudiaethau yn y maes, gosodwyd y detholion o'r testunau Cymraeg Canol gwreiddiol ochr-yn-ochr â 'chyfieithiadau' ohonynt mewn Cymraeg Diweddar. Mae rhagymadrodd byr i bob pwnc yn ei dro, a llyfryddiaeth ddethol ar ddiwedd pob uned ar gyfer darllen pellach. Dyma gyfrol a fydd o ddiddordeb a defnydd i bawb sy'n ymddiddori yn hanes y Gyfraith, hanes Cymru neu lenyddiaeth Gymraeg yn yr Oesoedd Canol. Ceir llawer mwy o wybodaeth am Gyfraith Hywel Dda ar wefan Cyfraith Hywel:

Casgliad o bedair araith gan J. R. Jones, Siôn Daniel, Emyr Llywelyn ac Alwyn D. Rees a draddodwyd yn Eisteddfod Genedlaethol Aberafan ym 1966 yn trafod ymgyrchu dros y Gymraeg a lle gweithredu anghyfreithlon yn dilyn ethol aelod seneddol cyntaf Plaid Cymru, Gwynfor Evans.

Mae'r gyfres Arfordir Cymru yn dychwelyd wrth i Bedwyr Rees ddilyn llwybr arfordir Ll?n o Gaernarfon i Borthmadog ar drywydd enwau a hanesion yr ardal. Oherwydd rhesymau hawlfraint bydd angen cyfrif Coleg Cymraeg i wylio rhaglenni Archif S4C. Mae modd ymaelodi ar wefan y Coleg Cymraeg Cenedlaethol i gael cyfrif.

Mae Bedwyr Rees ar drywydd rhai o enwau arfordir Môn gan obeithio cofnodi rhai ohonynt a mynd ar drywydd eu hanes. Oherwydd rhesymau hawlfraint bydd angen cyfrif Coleg Cymraeg i wylio rhaglenni Archif S4C. Mae modd ymaelodi ar wefan y Coleg Cymraeg Cenedlaethol i gael cyfrif.

Bedwyr Rees sy'n mynd ar daith o gwmpas Arfordir Penfro. Oherwydd rhesymau hawlfraint bydd angen cyfrif Coleg Cymraeg i wylio rhaglenni Archif S4C. Mae modd ymaelodi ar wefan y Coleg Cymraeg Cenedlaethol i gael cyfrif.

Cynhaliwyd Cynhadledd Wyddonol 2019 yng Nghanolfan Medrus, Prifysgol Aberystwyth, ar 6 Mehefin 2019. Roedd y gynhadledd yn gyfle i gyflwyno'r ymchwil gwyddonol ddiweddaraf trwy gyfrwng y Gymraeg. Yma ceir casgliad o gyflwyniadau a fideos o'r gynhadledd.

Cynhaliwyd cynhadledd ymchwil cyfrwng Cymraeg gyntaf yr Ysgol Seicoleg ym Mangor ar 4 Tachwedd 2013. Dr Carl Hughes oedd y prif areithiwr, yn areithio ar Newid Ymddygiad. Gellir lawrlwytho copiau o'r cyflwyniadau Pwerbwynt o dan bob cyflwyniad fideo.Traddodwyd ar ystod eang o bynciau amrywiol: Amy Hulson Jones: 'Gwella sgiliau darllen sylfaenol' Awel Vaughan Evans: 'Trosglwyddiad gramadegol rhwng y Gymraeg a'r Saesneg' Catherine Sharp: 'Y Food Dudes. Y Rhaglen Blynyddoedd Cynnar. Astudiaeth Gwerthuso wedi ei Rheoli' Ceri Ellis: 'Allwn ni gynnal cred mewn un iaith, ond nid y llall? Astudiaeth o gredoau diwylliannol ac emosiynol mewn pobl ddwyieithog Cymraeg-Saesneg' Denise Foran: 'Canlyniadau plant a dderbyniodd ymyriad ABA dwysder isel mewn ysgol anghenion arbennig' Dr Carl Hughes: 'Newid Ymddygiad: Be di'r Broblem?' Dr Leah Jones: 'Ymwybyddiaeth Ofalgar er lles rhieni plant ag anableddau deallusol a datblygiadol: datblygu mesurau cyfrwng Cymraeg ar gyfer ymchwil iechyd meddwl' Dr Nia Griffith: 'Ymchwilio'r Blynyddoedd Cynnar yng Nghymru' Ela Cernyw: 'Lles seicolegol rhieni sy'n siarad Cymraeg a gyda phlentyn ag anabledd dysgu' Emma Hughes: 'Gyffredinoli trawsieithyddol o effaith therapi mewn anomia dwyieithog Cymraeg-Saesneg' Yvonne Moseley: 'Datblygu rhaglen ddarllen Cymraeg yn seiliedig ar wybodaeth, tystiolaeth ac ymchwil'

During the summer of 2010, as part of a project by Dr T. Robin Chapman and Dr Dafydd Sills-Jones, Welsh speakers of all generations and backgrounds were questioned about the poems of T. H. Parry-Williams, at the National Library and on the Eisteddfod field. The format was that of asking everyone to select a poem, to read it aloud, and then to explain why they had chosen it in an open-ended interview. The aim was to investigate the current status of the poetry of T.H. Parry-Williams, by analysing different readings on the basis of rhetoric and performance. Although no effort was made to secure a scientifically representative sample, both male and female readers were attracted, from different parts of Wales, and of all ages from early twenties to retirement age. It was expected that the project would raise questions about the reception given to the poems of T. H. Parry-Williams amongst the members of the public who took part in the experiment. Who would choose which poem? How would different performances of the same poem reveal geographical or generational differences? What would be the relationship between the performances and the reasons and stories that appeared during the interviews? There were also methodological questions to be resolved across an interdisciplinary gulf. How would audiovisual and literary techniques inter-relate? How would it be possible to analyse the readings, without following the usual interpretative trails? An exhibition of the interviews was staged in December of the same year in the form of a series of video screens showing the interviews in parallel and concurrent format. Although the project belongs to two similar analytical traditions, namely literary analysis and the analysis of film, the exhibition brought them together through a third tradition, exemplified in video artworks such as the audiovisual installations ‘Forty Part Motet’ and ‘Videos Transamericas’. Thus, this demonstrative/analytical mode posed a challenge to both researchers, and was an inventive journey into a new methodological domain. Although the researchers are agreed on the fundamental research question posed by the project, which is to seek to assess the position occupied by T.H. in Welsh culture thirty five years after his death, it became apparent during their collaboration that this was on the basis of markedly different ideas of the significance of the methods used and the findings obtained. Robin Chapman’s background is in recent Welsh literature. Dafydd Sills-Jones has experience of working in the field of documentary production, and is interested in the performing aspects of such productions. What follows is an epilogue where both use the project’s common ground to explain their methods to each other – and to themselves. The hope is that it will be a means not only for them to say something about our two disciplines, but that it will be an opportunity also to investigate in more general terms the (creative) tension that manifests itself in interdisciplinary collaboration.

Saunders Lewis’ Williams Pantycelyn (1927) was the most exciting and controversial work of literary criticism to appear in twentieth century Welsh letters. In ten memorable and often brilliant chapters, Lewis analysed the work of the eighteenth century hymnist not according to the usual Protestant norms but in terms of medieval Catholic mysticism on the one hand and the then novel Freudian and Jungian psychology on the other. The book caused a literary and critical storm. Among those who affirmed its counterintuitive nature was the poet T. Gwynn Jones; its thesis was rejected by the philosopher E. Keri Evans while the preacher-poet Moelwyn Hughes found the volume objectionable in the extreme. Such was the power of Lewis’ analysis, however, that for more than a generation it came to embody a new orthodoxy in the scholarly understanding of William Williams. It was not until the 1960s that this orthodoxy began to be overturned. The accompanying essay describes how this process evolved.

The geographical distribution of Ophelia bicornis is restricted to the coasts of the Mediterranean Sea, the Black Sea and the western coast of Europe as far as Brittany and southern parts of Great Britain. Within this wide reach, the worm is restricted to very narrow areas (in the context of the rise and fall of the tide) of sand which are generally unsuitable for sustaining populations of animals and plants. Despite this, Ophelia is shown to succeed and flourish there, depending, to a large extent, on physical and physiological adaptation.

In answer to a call by the Arts and Humanities Research Council, and with the support of the Coleg Cymraeg Cenedlaethol, Anne Marie Carty, Nick Jones and Dafydd Sills-Jones made a poetic/experimental documentary film in 2016, on the subject of Cors Fochno, near Borth. Cors Fochno is one of Western Europe’s major peat bogs, is home to a unique ecology, and also home to important scientific study, not least into climate change. The bog was therefore a useful filmic metaphor for a number of issues and perspectives, including the feelings of the local community towards wilderness, the sustainability of local farming, and more broadly the history and future of human relationship with the environment. The article traces the approaches and concepts behind the film, and by doing so places it in the tradition of ‘practice-as-research’.