The Welsh language has several features in its grammar which are crosslinguistically very unusual. This paper looks at five such features, at their rarity in the languages of the world and at their place in Welsh grammar. It shows that the textual frequency of each feature, in corpora of spoken and written Welsh, is declining. These five features, which had been stable in Welsh since the earliest records well over a thousand years ago, have in the lifetime of older speakers become optional or obsolescent in the spoken language: the grammar of the language has changed. Welsh is likely changing because of bilingualism. Along with the recent increase in the public use of Welsh has come an increase in the use of English in the everyday lives of Welsh speakers. The average Welsh-speaker now speaks more English than Welsh, outside the family at least. Speaking a second language fluently and regularly HAS been shown to affect the speaker's first language, probably to lessen the psychological load in constantly switching between the two languages. It is argued that in such a situation cross-linguistically unusual features are inherently more susceptible to loss. Finally, the paper looks very briefly at possible future developments.
The effect of recent changes on the linguistic uniqueness of Welsh
Invasive animals and their effects on British freshwater ecosystems
The introduction of non-native species presents one of the most significant threats facing biodiversity worldwide. Freshwater ecosystems are particularly affected, due to the widespread introduction of species to rivers and lakes for aquaculture and fishing. This article describes non-native, freshwater animals that are present and invasive in Britain, as well as those which are likely to become established over the coming years. The effects of these animals on freshwater ecosystems are explained, and problems that are faced when attempting to manage invasive species are highlighted. Additionally, the effects of climate change and other stressors on the future distribution of non-native species are discussed.
The love-songs of Iolo Morganwg, with particular reference to 'Y Ferch o'r Scerr' ('The Lady of Sker')
The manuscripts of Iolo Morganwg (1747-1826), as well as his collection of native folk-songs, give us a unique insight into an important period in the history of Welsh culture during the eighteenth and nineteenth centuries. The central focus of this study is the love-songs found in his collection, together with the wider social context and background which serve to underpin the folk songs. One can trace this tradition to the poets of the nobility, and especially to the age of Dafydd ap Gwilym. Also one folk-tune in particular will be discussed in detail, ‘The Lady of Sker’. The love story, the folk-tune and the words which are normally associated with ‘The Lady of Sker’ are all well-known in several circles, however the folk-tune recorded by Iolo is totally unknown.
From social drama to the pageant: theatre in the cultural exchange between Wales and north-east India
This article uses theatre as a lens in order to examine the cultural exchange between Wales and the Khasi and Jaiñtia Hills that is rooted in the history of the Welsh Calvinistic Methodist Overseas Mission present in north-east India between 1841 and 1969. Focusing on Khasi plays from the colonial period as well as an example of Welsh missionary performance staged in Wales in 1929, the article considers the extent to which Welsh conceptions of theatre and drama influenced native performances in the Khasi Hills, and correspondingly, to what extent the missionaries’ perception of India influenced the idea and the representation of the country in Welsh performative portrayals.
Turning an-‘Other’ Page: Re-interpreting the relationship between south Wales’s Welsh- and English-speaking co...
This article analyses the relationship between Welsh and English speakers in pub scenes in two contemporary novels set in south Wales, namely Y Tiwniwr Piano by Catrin Dafydd (2009) and The Book of Idiots by Christopher Meredith (2012), in light of philosophical theories about the ‘other’ and otherness. The development of the concept of the ‘other’ is traced by considering the work of philosophers and cultural theorists such as Georg Hegel, Simone de Beauvoir, Frantz Fanon and Homi Bhabha. Turning to the work of Charlotte Williams and Simon Brooks, the article argues that both Welsh and English speakers in Wales can experience otherness, and the novels are then analysed to explore how this is reflected in contemporary fictional texts. The article draws conclusions about the significance of otherness to contemporary Welsh imagination and identity and suggests how other philosophical ideas could help us find common ground between Wales’s two main language communities.
Gwerddon: Greening a desert? Some comments on the history of a Welsh-language e-periodical
The article considers the history of Gwerddon, a multi-disciplinary research e-journal launched in April 2007, which has to date (January 2019) published more than one hundred original articles. Its origins lie in the growth of Welsh-language teaching in Welsh universities in the 1970s and 1980s, the campaign to establish a Welsh-language federal college at a time when the federal University of Wales was in crisis, and the urgent need for Welsh-language scholarship to be equally represented in the research assessment exercises of the RAE/REF. The study considers the journal’s impact factors and its role in the development of a Welsh presence on the burgeoning web of the early twenty-first century, and argues that its continuation rests both on Welsh Government educational policy in general, and the financial resilience of the Higher Education sector at a time of severe challenges.
Health and salvation: medicine, the body and the moral order in colonial Bengal 1840-1935
Drawing on a rich seam of archival material on Welsh missionary activity in late nineteenth- and early twentieth-century Bengal, the article addresses ways in which care of the sick became a central, if problematic, part of Christian Mission. While the building of dispensaries, clinics and hospitals provided both a platform and a social visibility to the evangelisation process, they also exposed deeper tensions around the politics of gender and the implantation of Western medical practices in a colonised society.
‘Beth yw’r ots gennyf i am Gymru?’: The out-migration and aspirations of young people from the Welsh heartland...
This article considers the out-migration of young people from the Welsh-speaking heartlands in terms of their aspirations and hopes for the future. The original doctoral research (2014), is based on Hywel Jones’ (2010) work, which argues that young people born outside of Wales are four times more likely to migrate from Wales than young people born here. The research attempts to establish the main factors that affect rates of out-migration among young people born outside of Wales and those born into non-native families. The article concludes that the main drivers of rates of out-migration among this group are factors such as sense of belonging and the extent of community integration, rather than solely economic factors. In particular, it examines how culture, nationality, and considerations pertaining to the Welsh language have an impact on this trend, which has important implications in terms of the linguistic retention of the ‘traditional’ Welsh speaking areas.
Minority nationalist parties and their adaption to devolution: A comparative study of Plaid Cymru and the Bloq...
In many places, devolution has created new regional arenas within which minority nationalist parties have been highly successful in mobilising support for their national projects. However, scholars have paid scant attention to how minority nationalist parties have adapted as they have become major players in regional politics. This article examines such process of adaptation in the cases of two minority nationalist parties: Plaid Cymru in Wales and the Bloque Nacionalista Galego in Galicia. It is argued that the experiences of these parties in adapting to passing the thresholds of representation, relevance and government in their respective regions are far from unique. Rather, they reflect the challenges that any political party faces when it makes the transition from protest to power.
Wales, nationality and national theatre: Following suit or breaking new ground?
This article is a study of the relationship between nationality and national theatre in Wales from the nineteenth century up to the present day. Welsh nationality is considered in the context of contemporary discussion by the pioneering critics Umut Özkirimli and Hans Kohn on concepts of the nation. The article aims to look into the crucial questions which arise from the historical and current relationships between national theatre, as an arts exercise, and a political expression of national identity in Wales. The significance of national theatre as a tool for expressing national identity is assessed and it is questioned whether the new national theatres of the twenty first century refer back to traditional concepts of the nation and nationality or do they instead exercise a new kind of modern nationality which is defined as ‘an interaction of cultural coalescence and specific political intervention’?
Ancient gentry and the modern nation: Gwaed yr Uchelwyr read in the light of anglophone Welsh fiction of the C...
The core argument of the essay is that it would be worth setting Saunders Lewis’ important early play, Gwaed yr Uchelwyr, in the context of several anglophone Welsh novels published at the turn of the nineteenth century that sought to assess the relevance of the culture of the indigenous gentry of Wales to the new nation celebrated by the Cymru Fydd movement. It is argued that familiarity with these texts could assist us to grasp the subtlety and rich ambivalence of the play’s ideological stance.
(Performing citizenship: Sisters, a joint production between National Theatre Wales and Junoon Theatre Mumbai)
This article seeks to interrogate the ways in which the citizens of Wales use the theatrical resources at their disposal to investigate and articulate their national identities and experiences. The discussion will take a recent co-production, entitled Sisters, between National Theatre Wales and Junoon Theatre Mumbai as its starting point. Sisters stimulates discussion of new ways of creating and participating in theatre that respond creatively to the challenges of a twenty-first century global, digital and post-consumerist society. In discussion, this article will use Johannes Birringer’s uncompromising vision of theatre as a transformative activity that focuses on patterns of collaboration between unfamiliar and unrooted individuals, as a measuring yard for the success and significance of Sisters. I will also argue that the social conditions that inspired Birringer’s vision also give fresh importance to Amelia Jones’s argument about the value of responding to a production or performance by means of secondary evidence, or ‘detritus’, as described by Mathew Reason.